He thus confided: "In my search for new lines, for articulation of abstract geometric modules, it was one of the great figures of Spanish Art in the second half of the XNUMXth century, the painter and sculptor Pablo Palazuelo who gave me the keys to start this new season and let the line slide.

Obviously, I continue to realize what constitutes me fully, the search for movement, but this time associated with more angular and cubic forms; these very cutouts, real windows, shamelessly revealing the bust, the leg and the hip are combined with the roundness of large ball skirts made of taffeta and cut duchesse satin.

Volume variations for a new infante.

My line continues, the black line gently undulates then stops; white emerges, rebellious and undulating. I sculpt it around the body, giving it lightness which will counterbalance with the extreme erotic rigor of a sheath.

The fur has this unique, its sensuality, which sometimes allows us with scruples to circumvent the prohibitions. I start and a first line takes shape harmonizing strangely well with my dresses.

Checkers, labyrinths or giant nets, each module is mounted by hand on a grid of leather or silk ribbons.

The movement is articulated and the pleasure remains light.

Mink, fox and sable in overcoats, capes, vests, skirts, turbans, scarves.

A whole range for a new chapter. "

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